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If there is one musical initiative in this country that has revealed a hitherto unseen, unknown and unappreciated dimension to our cultural understanding, it has to be the English Music Festival, held each year at Dorchester in Oxfordshire. The name, Norman O’Neill, is virtually forgotten today, and even for aficionados, he is little more than a footnote in specialist appreciations of English music, such as Michael Trend’s indispensable survey of our artistic renascence at the turn of the 19th and 20th centuries.

When we are being denied the celebration of our own culture, it is heartening to see a successful example of reviving our culture in the face of Establishment hostility. The English Classical Music Festival founded by Em Marshall has done that.

The collective hatred of our nation’s past by the ruling elite takes practical form in their drive to erase many aspects of our culture, traditions and physical history – and is best illustrated by their physical erasure of our traditional architectural forms and its replacement with drab, soviet-style ‘accommodation’.

The mainstream parties have bad images - treason, war crimes, corruption, sleaze- are normal behaviour of the elites and the media but they hold the power and present themselves as moral. When exposed corrupt MS politicians are as individuals but in the case of un-orthodox politicians, bad behaviour is generalised to dehumanise the whole party.
Multi-racialists are happy to preach the benefits to those who have no choice but to live in it, but as soon as they have the money, move as far away from it as possible.